Remember the classic Wu Tianming film King of Masks? It featured the old Chinese art of "bian lian" or changing faces. I hadnt had the chance to see it live, but someone was performing it in Oakland Chinatown. This person kind of stumbled in the middle and got the masks stuck, but it was a good effort. It was a little dissapointing to hear him talk afterwards about how bian lian is supposed to be only taught to men and never to women to protect the secret. Judging from the various performance arts around the world, including Carnatic music, I think gender equality in art is somewhat a given now. Not that one should necessarily infer much culture from an internationally popular movie...but King of Masks (bian lian wang) showed in a nuanced way that ultimately, the gender issue has became irrelevant. I would like to see more bian lian performances in the future, regardless of who is doing it.Do some youtube searches to check out this unique art for yourself.
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I've been listening to this recording for years, but had never seen a video. I just came across this on youtube. T.N. Krishnan, Trichy Sankaran and G. Harishankar. Hope someone will post the RTP in Bhairavi from this concert on youtube too.
Sankaran and Harishankar are amazing in this clip and even more enjoyable during the rest of the concert.
It would be great to see some video of the masters like Semmangudi when they are in their prime.
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Footprints (Wayne Shorter composition)
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This is a bit overdue, but I thought I would do a quick recap of a concert from August 2007 at the Ektaa Center in Irvine, California. Personnel included myself on saxophone, Ajay Narasimha on Violin and Poovalur Srinivasan on Mridungam. It was the first time playing with Ajay, and had been quite a while since I had played with Poovalur Srinivasan.
I had played a concert with Howard Wiley, David Ewell and Sameer Gupta the night before at the Red Poppy in San Francisco. That was a great show, which I will elaborate upon later. So I drove down directly to the concert hall from the bay area.
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